CLICKTATURE – CIE RACINES CARRÉES / NABIL OUELHADJ

We take you on an algorithmic, poetic, and burlesque journey in this atypical and committed urban dance creation. Well-being measured by the number of clicks and followers in a dream framed within 32 cm². A superficial, artificial quest in the search for existence as a prisoner of one’s own image and perception of self. The creation of their avatar will push the artists into a form of “bipolarity,” a madness of the “I,” the madness of games with dance, digital art as a resource for introspection and a return to oneself.

Exceptional tools and extravagant tools, all invited to the Ball of Oxymorons, guided or guiding through this choreographic creation built around a multidimensional scenography where each spectator will question their own perception of what they see, what they hear, a universe of doubt, uncertainty, victim or actor of a disguised passivity. An atypical blend of dance, live theremin, and digital art.


CAST

Choreography and direction: Nabil Ouelhadj
Performers: Abderrahim Ouabou, Valentin Loval, Nabil Ouelhadj Aline Zora
Live theremin and piano: Charlotte Dubois
Technical director and lighting: Thierry Schouteten
Video consultant: Bénédicte Alloing
Video design: Sébastien Kouadio, Nicolas Tabary, Nabil Ouelhadj
Costumes: Nabil Ouelhadj, Chrystel Zingiro, Elise Dulac
Production and co-production: Support from the Ministry of Culture / Hauts-de-France Regional Directorate for Cultural Affairs
Cie Racines Carrées
Support: The company benefits from a residency at Pôle en Scènes/Centre chorégraphique Pôle Pik
Centre Chorégraphique National Roubaix Hauts-de-France – Sylvain Groud
Le Colisée, Roubaix
Support from the Ministry of Culture / Hauts-de-France Regional Cultural Affairs Directorate
GYMNASE CDCN – Roubaix Hauts-de-France (studio provided)

Duration: 1 hour
Audience: +8 years old
Photos: Claire Kulaga

GALLERY

Tour

DateTimeTheaterCityTickets
March 17, 202610h00Théâtre de SomainSomain (59)
March 17, 202618h00Théâtre de SomainSomain (59)Book Now

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